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The Best Truly American Pencils: New Releases from Musgrave Pencil Company

March 11, 2020

The Musgrave Pencil Company is located in Shelbyville, Tennessee (“Pencil City”), which sits just down the road from my hometown of Franklin. Several years ago I reviewed some bulk pencils I had purchased from Musgrave, and came away impressed with the quality at the price point. Musgrave, however, had not updated their website in years, and the company appeared to rely heavily on advertising and specialty pencils, as well as white labeling (i.e., making pencils for other brands). In 2018, things changed, as Musgrave hired a new marketing team and started development on a new product line. You can hear more about Musgrave’s transformation on Episode 134 of the Erasable Podcast, featuring creative directors Nicole and Tim Delger, the team behind the Musgrave rebranding.

The Musgrave Harvest 320 “Professional,” shown here atop a Write Notepads Reporter Notebook (now available in an eye-popping red). Write Notepads and Baron Fig remain my preferred paper for pencils due to the texture and slightly tactile feel.

So What’s Behind the “Heritage” Tagline?

Musgrave has been making pencils in Shelbyville since 1916, so they’ve witnessed multiple shifts in the pencil industry during their more than a century in business. These changes included the move in the 1960s-1970s from traditional Tennessee Red Cedar to California Incense Cedar, which today remains the preferred wood for making pencils (though companies have shifted to other sources as even Incense Cedar has become scarcer and more expensive). The new Musgrave website features a comprehensive company history, including a bunch of unique photos from the pre-WWII era.

Musgrave’s new “Heritage” collection is headlined by the “Tennessee Red,” made from the same Tennessee Red Cedar used in American pencil-making all those years ago. Apparently, Musgrave discovered a source for Tennessee Red Cedar slats, which they used to create these gorgeous, highly aromatic wood-grain pencils that, to me, smell like cedar should. If you’ve ever been inside a cedar closet or stuck your head inside a wooden chest made from red cedar, you’ll know which smell I’m talking about. Musgrave also updated their signature “Harvest” yellow No. 2 pencil to include a “professional” version made from Incense Cedar, and even released a “Single Barrel 106” pencil made from vintage (i.e. 1930s) Red Cedar pencil slats.

My favorite thing about the Tennessee Reds is the variation in the wood grain. And the Tri-Star logo. As a Middle Tennessee native and (mostly) lifelong resident, I’ll buy anything with the Tri-Star.

The core that Musgrave uses is perfect for my style of writing. While it’s labeled a “No. 2” (at least on the Harvest), to me it writes more like a 2B or a No. 1, my preferred grades of graphite. Both pencils have excellent point retention for graphite this dark, and while one drawback is that Musgrave’s cores can have a tendency to smudge, that’s a trade-off I’m personally happy to make.

These three Musgrave pencils all write a similarly dark line. Writing sample is on a Write Notepads Dot-Grid Spiral Notebook.

Both the Tennessee Red and the Harvest 320 Professional are “home run” products for Musgrave, and I’m ecstatic to see this iconic American company stake out a piece of today’s expanding market for high-end pencils. My sole wish would be for them to devote additional time to quality control (discussed further below) and to consider softening the hex shape, especially on the Harvest series. I mentioned in my prior review that Musgrave’s signature hexagonal pencil can be a bit uncomfortable to write with for long periods of time - those edges are sharp. I know that Musgrave is capable of smoothing things out a bit because they have made a series of extremely comfortable incense cedar pencils to accompany Write Notepads’ “In the Pines” and “Telegraph” limited edition pocket notebooks. I’d love to see them do this on a standard release, and given how much I love Musgrave’s core such a pencil would easily become my primary writer. (For some reason, probably due to the texture of the wood, the Tennessee Red feels less sharp.)

Musgrave pencils sharpen very well. The Harvest 320 is shown here with a point carved by a NUK single-stage long-point sharpener, possibly the best I’ve used, that was featured in this quarter’s C.W. Pencils Pencil Box Subscription. I hope they sell these sharpeners soon, because I want to buy a bunch!

A Note on Sharpening and Quality Control

The release of the Tennessee Red Cedar pencil has not been without minor controversy, which I feel I need to address briefly. The Musgrave website states that the supplier of the Red Cedar slats “wasn’t used to prepping slats for pencils,” and if the slats aren’t uniform, it can result in off-center cores. Musgrave’s site suggests that off-center cores are a purely aesthetic issue, but they’re not: an off-center core can affect a pencil’s ability to sharpen (though once you get them sharpened, they’re perfectly usable).

The pencil on the left had a badly off-center core, but I was still able to get it sharpened to a super-long, concave El Casco point. The Tennessee Red on the right had a centered core and sharpened just fine in the Carl Angel-5.

My entire order of 24 Tennessee Reds only contained 2 “bad” cores, and I was actually able to get both of these pencils to sharpen, though it took running them through my El Casco sharpener as both the Classroom Friendly and the KUM Masterpiece kept giving me an uneven point nearly covered by wood on one side. Personally, I think Musgrave should inspect these pencils before they ship to remove the duds. It was fairly easy for me to look at a handful and quickly spot the off-center cores. To their credit, from what I’ve heard Musgrave is more than willing to work with customers to make things right if you receive an order containing multiple unusable pencils. They have excellent customer service.

Twenty Musgrave Tennessee Reds. The controversy over “off-center cores” is somewhat overblown - of this fistful of pencils, only one is badly off-center (top center), which isn’t uncommon but when you are selling premium pencils, it’s a legitimate issue for customers.

Visit Musgrave’s New Online Shop

You can purchase the pencils featured in this review directly from Musgrave. As I mentioned above, Musgrave has redesigned their website, including their online store. While Musgrave manufactures a vast catalogue of pencils, both standard and novelty/promotional, the new retail strategy focuses on their “Heritage Collection,” such as the Tennessee Red and the Harvest 320 Professional, both of which you can purchase by the dozen, or in an engraved (and highly aromatic) red cedar box. Overall, these are excellent pencils made by a classic American stationery company, and pencils always present an opportunity to purchase quality stationery at relatively minimal cost. Both Tennessee Reds and Harvest pencils cost a whopping $9 per dozen (compared against $24.95 for a dozen Blackwings). If you’re a fan of darker pencils with an awesome story behind them, grab these now because they have received a lot of attention and I suspect there may be a run on them in the future.

Disclaimer: The products featured in this post were purchased with my own funds for my own use. I was not compensated in any way for this review. This post (and content linked to in this post) contains affiliate links and links to my own retail store.

In Pencil Review Tags Musgrave, Pencils, Best Pencils, Pencil Review
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Pen Review: Matthew C. Martin OG1 Fountain Pen

March 8, 2020

Though I’ve attended two pen shows, I’ve purchased very few pens in 2020, including none in Baltimore. One of my stated goals for the New Year was to continue to focus on refining my collection into a more personally meaningful set of pens and to own less stuff overall. I’ve mostly managed to stick to the “plan”, but Philly got me at both the Matthew C. Martin Custom Pens and Schon DSGN tables. For today’s review, I’m going to take an in-depth look at a pen that’s become a constant travel companion over the past six weeks: the Matthew C. Martin/”MCM Pens” Original, or as Matthew calls it, the “OG1”. 

Machined metal fountain pens and I have had an inconsistent relationship over the years. I’ve owned metal pens from Karas Kustoms and Tactile Turn, as well as various Kickstarter pens, but with the sole exception of the second iteration of the Tactile Turn Gist (which is excellent), none have stuck in my rotation for a meaningful amount of time. The primary reason is weight: It’s extremely difficult to design a machined fountain pen that most people can comfortably use for long periods of time (i.e., why many people turn to fountain pens in the first place). Since nearly all of these pens feature metal grip sections, the added weight from the barrel makes the pen even more awkward to hold by increasing the probability of the pen sliding around in a sweaty hand, which will be working harder to keep the nib under control. 

Capped, the MCM Pens OG1 is roughly the same size as a Lamy 2000, and perhaps slightly more compact.

Machinist and penmaker Matthew Martin has, in my opinion, done the best job of controlling for these factors using both smaller designs and what he refers to as “weight reduction machining.” In other words, he thins the walls of the barrel and cap, resulting in pens that are exceptionally light and comfortable to use even when made from heavy metals such as copper and brass. Combining this technique with other design choices, such as his use of the grooves in the pen pictured here, reduces the weight even further. MCM titanium and zirconium pens end up being so light that it’s fair to describe them as “featherweight.” 

Build Quality 

The MCM pens OG1 is easily the best-made machined metal pen I have ever used. Period. As I noted above, Matthew’s combination of excellent design and weight-reduction techniques creates a pen that is just as, if not more, comfortable to use than many acrylic pens, and I’ve never been able to say that before. But it’s not just about utility. The artistry involved in machining the grooves in the barrel and cap makes these pens instant conversation pieces, and don’t say I didn’t warn you that it’s the type of pen that will go “walking off” an office desk. 

If you carry a grooved pen around in a pen case or a bag, it will eventually collect lint and dust. I recommend using a can of compressed air to clean it out periodically.

The pen I purchased is made from a combination of zirconium and blue anodized titanium. Matthew also machines his own clips, and recently released pens featuring exotic metals more commonly used in the knife industry, such as Mokume-gane (Japanese-style “wood grain metal).  Matthew has made knives as well, and his father is a well-known knifemaker. 

Despite its high price, zirconium pens are among my favorite. The darker tone of the zirconium pairs well with anodized materials.

Nib and Overall Writing Experience

Matthew wisely chose to use standard JoWo No. 6 nibs, meaning that those of us with larger collections can swap in favorites like the Franklin-Christoph EF SIG pictured in this review. The standard medium nib that came with this pen, however, was also well-tuned and has a place in my stash of good JoWo writers. 

Where this pen shines is comfort. In terms of length, the MCM OG1 pushes the boundaries of how short a pen I can reasonably use. The OG1 doesn’t post, and measures 4.75 inches uncapped. While the added weight of a metal pen makes the shorter body more usable for me as a daily writer, I can’t say the lack of postability is a total non-issue. For pure EDC, I’d prefer to not have to worry about keeping track of the cap, or having it roll away while writing, but that’s a design choice that I’m willing to overlook here for the unique grooved design. For my next MCM pen, however, I will likely opt for a model with a milled clip, which can act as a roll-stopper.

I recognize that the grooved design I chose won’t be comfortable for many people. Since I don’t have sensitive hands, the grooves on the barrel and ridges on the grip section don’t bother me, but others might prefer a smooth barrel and/or a different grip texture, both of which are available.

Takeaways and Where to Buy  

Since I picked up this pen at the Philadelphia Pen Show in January, it hasn’t left my pen case, and has barely left my hand. Matthew Martin represents the best of the new, emerging generation of penmakers, and his work shows a combination of creativity and technical expertise that you don’t see often, especially with someone working out of a small shop. Visiting his table has been a highlight of the past few pen shows - each time he shows up with something that pushes the envelope even further. 

As you might expect given the choice of materials, advanced machining techniques, and overall level of craftsmanship, MCM pens are not inexpensive. The blue-anodized titanium and zirconium pen featured in this review cost me $575. Currently, the least expensive model starts at $275 (for a bronze or copper pen), with pens priced as high as $1,750 for a pen made from layered zirconium and titanium with a milled zirconium clip. Matthew sells his pens directly on his website, and he mentioned in Philadelphia that he intends to increase the number of U.S. pen shows he attends as long as he can keep up inventory. Many thanks to Matthew for taking the time in Philly (both at the table, and in the evening at Ian Schon’s open house) to offer insight into his machining techniques and design theory.

Disclaimer: I purchased the pen featured in this review with my own funds, for my own personal collection.   

In Pens Tags MCM Pens, Matthew C. Martin, Machined Pens, Fountain Pen, Pen Review
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A Panoramic Shot of the Ballroom on Friday, from in front of the TGS Table.

Baltimore 2020 Pen Show Recap: And It Keeps Growing!

March 4, 2020

The Baltimore-Washington International Pen Show (or “BWIPS” for short or on Instagram), has developed into one of the bigger success stories of the past few years. As the traditional pen show circuit started to become a bit tired, the Baltimore organizers decided to bet on something entirely different, with a show more focused on new attendees and building out the overall pen show experience rather than simply buying, selling, and trading. This year’s show featured a wide variety of classes and seminars running basically every hour, on topics ranging from Zentangles and Urban Sketching to Origami. There were traditional pen-related classes as well, including “Buying and Selling Pens on eBay,” “Fountain Pen 101,” and my own contribution, “Everyday Writers: Choosing The Best Tools for Home and Office.” My own class had between 15-20 attendees, the overwhelming majority of whom were attending their first pen show. (And if you’re now reading this recap, welcome to the pen community and the TGS family!)

Write Notepads was gracious enough to open the doors to their space in downtown Baltimore for an open house that several of us from the pen show attended.

This particular pen show trip also took on a graphite hue: On Friday night, I attended a live recording of the Erasable Podcast, the result of a successful Kickstarter that brought Andy, Johnny, and Tim to the Baltimore Pen Show. (You can check out my photos from Friday here.) On Saturday night, I attended an open house at the Write Notepads bindery co-sponsored by the Erasable crew.

Uh, I’m having major FOMO after missing the preorder on these beauties. I hope they do another run at some point.

The Baltimore show was also especially notable for the large number of new vendors, including small penmakers such as Latitude Pens and Ironfeather Creative. Additionally, I’ve never seen such a large concentration of nibworkers in one place - at one point there were as many as seven working the show, and while they mostly stayed busy, I heard that it was relatively easy to have work done even if you had not booked a slot ahead of time. If you were attending to purchase pens, ink, and paper, vendors such as Vanness Pens, Dromgoole’s, and The Nibsmith had you covered.

Master penmaker Dan Symonds, who previously worked for Franklin-Christoph and has taught nearly everyone how to make pens.

Latitude Pens were set up across the aisle from TGS and right next to Vanness!

The Ironfeather Creative table on Sunday. Check out the detailing!

Emma from InkyExperiments came with a full table and wall of her amazing handwriting art.

An art journal at the InkyExperiments Table.

Hugh and Karol at Kanilea Pen Company brought their usual display, including a gorgeous batch of Kilauea pens, which were the top seller.

And, I was able to accomplish one of the “show goals” that I set for myself: checking out the new Leonardo “Messenger” fountain pen, which Dan Smith had at his table.

View fullsize Leonardo Messenger Fountain Pen
View fullsize Leonardo Messenger Fountain Pen Unposted
View fullsize Leonardo Messenger Fountain Pen Posted

My First Year as a Pen Show Vendor

I didn’t get to see much of the show on either Friday or Saturday, since I was behind The Gentleman Stationer table for the first time ever! While I’ve occasionally worked shows in the past for sponsors like Vanness Pens and The Nibsmith, I’ve never brought The Gentleman Stationer to a pen show as a vendor. This year, I was set up directly across the aisle from Vanness, and in addition to TGS “blog swag” and “Daily Writer” ink sample kits I put together in connection with the class I was teaching, I brought products from two brands with me to sell: Write Notepads (which is fast becoming a favorite fountain pen-friendly paper) and longtime site sponsor Pokka Pens. The response was overwhelmingly positive, and I was sold out of all my paper by early afternoon on Saturday. For those of you who asked, I now have both of these products restocked in my online store, the TGS Curated Shop.

By early afternoon on Saturday, nearly all of my Write Notepads stock and certain colors of Pokka Pens were gone.

Takeaways and Final Thoughts

Following the success of last year’s show, many speculated that Baltimore could overtake D.C. and become the premiere area pen event, if not one of the betters hows in the country. The 2020 Baltimore Pen Show has only cemented the show’s status as a “must-see” stop on the Pen Show circuit. Despite being limited to a single ballroom and a somewhat lackluster airport-Marriott location, the show punches above its weight in terms of the variety of products and vendors available, not to mention classes during the day and after-hours meetups. I would describe it as the perfect show for first-time attendees, with plenty to keep the experienced show-goer interested as well. Baltimore has earned a permanent slot in my pen show rotation.

Disclaimer: This post contains links to paid sponsors and affiliates.

In Pen Shows Tags Baltimore Pen Show 2020, Pen Show
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Scenes from the 2020 Baltimore Pen Show: Day One

February 29, 2020

The full recap of this year’s Baltimore Pen Show will be up next week, but for now enjoy these photos from Day One, which included Friday night’s live recording of The Erasable Podcast. (Yes, pencils at the pen show!) I have a table this year, directly across the aisle from Vanness Pens, and I will have a bunch of stuff available for purchase, including TGS Swag Packs, Everyday Writer Ink Sample Packs, Write Notepads, Pokka Pens, and even some fountain pens. Stop by to check it out or just to say hello and chat for a while! I’m also teaching a free class at 2:30, titled “Everyday Writers: Choosing the Best Pens for Home and Office.” Check out the official pen show website for more details!

I couldn’t be happier with how my table turned out! We still have plenty of Write Notepads paper, Pokka Pens, and TGS-branded goods, including testers.

The No. 2 Pencil Podcast recorded a live episode

The live Erasable episode featured several guests, including Ana from Well-Appointed Desk, Brad from The Pen Addict, and Dade from Weekly Pencil.

Nock Co. arrived with some eye-searing goods.

Erasable party favors!

In Pen Shows Tags Baltimore Pen Show 2020, Erasable Podcast
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Everyday Writers: The Best Fountain Pen Inks for Daily Use (2020 Edition)

February 26, 2020

It’s been a long time since I’ve updated one of the more popular posts on the website: Best Inks for Everyday Writing. As I was preparing for my seminar at the upcoming Baltimore Pen Show this Saturday, I reviewed this post and was surprised to discover it was somewhat out-of-date. Not substantively, mind you - all five inks that I originally discussed back in 2016 make excellent daily drivers - but a few of them have fallen by the wayside over the course of another four years of daily (and much more intense) fountain pen use.

What Makes a Fountain Pen Ink a Great Everyday Writer?

So what inks am I currently using for most of my everyday writing, and why have I chosen these specific inks? Let’s start by revisiting my criteria for an “everyday writer” ink:

  • Cost. The ink must be relatively inexpensive for those who actually cycle through a high volume of ink in writing-intensive professions. Most of the inks featured on the list below cost anywhere from $0.15 to $0.23 per milliliter, well below the cost of most boutique inks. Sure, the range of available colors isn’t as extensive, but in certain contexts that’s less important than cost and versatility.

  • Versatility. In terms of versatility, these inks work exceptionally well on a range of paper types, from your high quality Clairefontaine and Tomoe River notebooks to standard copy paper. Sure, you might get some feathering and bleedthrough on the latter, but the stuff they give us in my office won’t even handle a gel pen. (In worst-case scenarios, you just have to use a pencil.)

  • Safety. All five of these inks are manufactured by companies that also sell pens, which is a good rule of thumb to follow when looking for inks that won’t damage your fountain pens, vintage or modern. That’s not to say that you should abandon all common sense - for example, don’t use red or purple inks in a clear demonstrator or a light-colored pen you want to keep absolutely stain-free - but you’re not going to melt the feed or tarnish a nib by using any of the inks on this list.

My Top Five Fountain Pen Inks for Everyday Writing

  1. Waterman “Serenity Blue”. In my opinion, one of the best all-around fountain-pen inks ever made. Unlike many standard blue inks, Waterman Blue - which I’ll forever think of by it’s old name, “Florida Blue” - has a bright, jewel-like quality to it, and it mixes well with other colors. (Combine 50/50 with Waterman Violet for the original “Blurple” ink.) Waterman blue is also widely-regarded as one of the safest inks around, especially for vintage pens.

  2. Sheaffer Skrip Red. Red like a fire engine, or from your elementary school report card (or maybe just mine). That’s what I think of when I look for a pure red. Sheaffer Skrip Red has long been regarded as the “safe” red ink that won’t stain your pens. Personally, I take this with a grain of salt. As noted above, if I have a prized transparent or light-colored pen that I don’t want to stain, I’ll avoid any ink other than the aforementioned Waterman Blue.

  3. Lamy Blue-Black. After jumping around for years, I’ve settled on Lamy Blue-Black as my preferred blue-black ink of choice. It’s what I consider a “pure” blue-black, that plays things right down the middle without either leaning too far to the blue or black end of the spectrum, and without appearing gray.

  4. Lamy Black. I used to think of black inks as boring, but as I’ve settled into my fountain pen habits over the years, I’ve come to appreciate (1) how using a somewhat nondescript ink color can help you focus when you’re trying to get difficult work done, and (2) how Lamy Black can’t actually be described as “nondescript,” since the ink has subtle gray-green-purple undertones that make it one of the more interesting black inks out there.

  5. Monteverde Passion Burgundy. This company flies under the radar of many fountain pen enthusiasts, but Monteverde makes excellent inks, and I’m partial to their burgundies. “Passion Burgundy” is one of my personal favorites, since it has a bit more pop than traditional wine-colored inks. When you don’t want to use a standard blue, black, or blue-black, and red ink feels too loud for professional correspondence, a deep burgundy offers a classy alternative. (Dark green is another option, but burgundy remains my favorite.)

“Everyday Writers” Sample Packs and Where to Buy Full Bottles

As noted above, one great thing about all of these inks is widespread availability. We carry Lamy inks directly (as well as a diverse selection of others). The great thing about these four brands (especially Waterman, Sheaffer, and Lamy) is that most pen shops carry them and they remain relatively easy to find. either online or brick-and-mortar. If you regularly rely on one of these inks to get your work done, you shouldn’t have to worry about these inks becoming unavailable.

In Ink Reviews Tags Everyday Writers, Best Inks, Fountain Pen Inks, Ink Review, Top 5
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