Don’t worry, you’ll get a full review of both the pen and the notebook soon. Today, however, is more of a rant.

Flooding the Market? A Recap of Lamy's 2019 Special and Limited Releases

September 21, 2019

I don’t think I realized until this week just how many special and limited edition pens Lamy released in 2019 (and the year is not even over yet). While the annual release of the special edition Safaris and AL-Star pens is a much-anticipated tradition for many, this year saw Lamy issue two more Studios, a special edition “LX”, a Scala, and the heavily hyped blue Lamy 2000 limited edition celebrating the 100th Anniversary of the Bauhaus. While some portions of today’s post will strike readers as a bit of a rant, please know that I love Lamy. It’s one of my favorite brands, and makes one of my favorite pens of all time, the Lamy 2000. Also, it’s not that I don’t love the fact that Lamy is taking the time to develop all of these different pens and bring them to market, I just don’t understand the strategy behind doing it all at once, in what seems like a sudden flood of releases, with some of them receiving next to no promotion or build-up. With that said, let’s take a look at this year’s pens in more detail.

Lamy Studio Aquamarine and LX All Black Special Editions

I’d call the Lamy Studio one of the “unsung heroes” of the fountain pen world. It’s a well-made, reasonably priced mid-range fountain pen (or rollerball) that not only costs well under $100, but you can easily switch the nib (or even upgrade the nib from steel to gold) because it uses the same interchangeable nib format as the Safari and the AL-Star. Lamy has previously released special edition Studios - I’ve reviewed the Ruby Red and the Racing Green - but the emergig trend has been to release not one but two special editions. The 2018 pens included Terra Cotta and Olive, while this year’s releases are Aquamarine and the “LX All Black.” While I’m certainly glad to see Lamy pay more attention to the Studio, I’m not sure that I understand the strategy behind making two special editions in colors that don’t seem to relate to one another. And what about Lamy’s decision to port the “LX” moniker to the Studio? What does “LX” even mean now?

If you like dark green pens, the Lamy Studio has you covered. Shown here are the Olive Green (left) and Racing Green (right). Not pictured is my LX All Black, which is en route from the Netherlands as we speak.

Both of the current special edition Studios are still available at retail. Our U.S.-based sponsor Pen Chalet has all of the 2018 AND 2019 Studios in stock, and if you are based outside of the U.S., shipping may be more economical to purchase from our Netherlands-based sponsor Appelboom. (Where possible, throughout this post, I will highlight more than one purchasing option, since many of these pens are not expensive enough to trigger free international shipping.)

Lamy LX “Marron” Special Edition

Lamy created some confusion a couple of years ago when they released the “LX,” which was essentially an AL-Star in “iPhone colors” with a nicer looking nib. (Read my review here.) The LX received a bit of attention, then quickly fell off the radar because not much was done to distinguish the pen in any way from the less expensive AL-Star. You can say I was surprised to see the LX “Marron” Special Edition appear at retailers over the past month. The pen is a nice chestnut-brown, with a bronze-colored clip to match, and it’s a gorgeous pen. (Confession: I bought one immediately.) What confused me was the decision to release a special edition LX, especially since I like this pen much more than this year’s “Bronze” AL-Star. Given the “bronze” clip on this pen, they should’ve passed on the LX special edition and just gone with the Marron.

You can purchase the Lamy LX Marron special edition from both Pen Chalet and Appelboom.

Lamy Safari “Independence Day” U.S. Edition

I waited for a bit, but finally caved and ordered the “Independence Day” Safari for the white cap + red clip combination alone. A U.S. exclusive, Lamy released this pen just before the 4th of July, and despite being a bit puzzled by Lamy’s overall decision to release so many special editions this year, I can get behind the occasional regional special edition. Even the packaging has been upgraded for this pen, signaling that Lamy put a lot of thought into this one. You can purchase this pen from any U.S. Lamy retailer, including Pen Chalet (where the pen is currently on sale).

The clip game is strong for these two releases.

Lamy Pastel Safaris and Bronze AL-Star

Much has been written about Lamy’s decision to release three special edition Safaris, but viewed in the overall context of just how many special editions Lamy released in 2019, the decision seems even more puzzling to me. Look, the Pastel Safaris (offered in Light Blue, Mint, and Rose) are quite attractive, present a welcome departure from what was seeming like an endless flood of neon and “dark” themed pens, and they have sold well, but the decision to offer three of them has me thinking that someone over at Lamy can’t make hard decisions. The Bronze AL-Star looks fine but is just boring, and let’s be honest - the “matching” ink is orange, not “bronze.” As I noted above, I would have rather seen them release the excellent LX Marron as this year’s AL-Star release.

You can still purchase the Pastel Safaris, and likely will be able to do so for some time. Pen Chalet and Appelboom both have them in stock. Likewise, both Pen Chalet and Appelboom still carry the Bronze AL-Star.

Lamy Scala

Most of you will probably join me in asking: “What the heck is the Lamy Scala?” I saw this pen offered for sale a few years ago through EU-based retailers, but assumed it had been discontinued. It’s a metal pen that sort of looks like a chunkier, non-streamlined Studio. Apparently it comes in range of finishes, ranging from matte black to brushed steel to “piano black” to “titanium,” but the Scala is not widely sold in the U.S., with most retailers carrying only the “Dark Violet” and “Rose” special editions. These aren’t necessarily unattractive pens, but like most mid to high-end Lamy pens, the Scala is priced nearly twice as high in the U.S. as overseas. I’m not at all sure I see any value here, especially compared to the Studio. You can purchase a Studio with a gold nib for just slightly more than a steel nib Scala. This makes no sense, and Lamy either needs to fix the pricing discrepancy or discontinue this line.

Pen Chalet carries the Lamy Scala special editions, and Appelboom carries the entire line.

I will say that Lamy absolutely killed it on the presentation. The packaging, in addition to looking classy, also appears to be recyclable like their other boxes.

Lamy 2000 Bauhaus 100th Anniversary

And, finally, the commentary most people are probably waiting for: my thoughts on the Bauhaus 100th Anniversary edition Lamy 2000. I did get one of the pens, and I love it. I was, however, extremely frustrated and even a bit angry at how hard it was to track one down. While I probably could have “pulled some strings” and asked a sponsor to set one aside for me, I didn’t do that, mainly because I wanted to write this article from the perspective of someone who loves the Lamy 2000, wanted to participate in this particular anniversary release, and was attempting to find one of the pens at retail without having to pay what I expect will be extortionate prices on the secondary market. It was a difficult, frustrating experience that was completely unnecessary.

The Lamy 2000 is Lamy’s flagship pen. It’s marketed as an example of simple, form-follows-function Bauhaus-inspired design. The Lamy 2000 is also reasonably priced - a piston-filling pen with a gold nib that you can often find for well under $200. The pen is widely loved, and I’m not the only one who has a soft spot for the 2000 because it was the first “nice” pen they ever purchased. So I will say this: It makes absolutely zero sense for Lamy (or their distributor) to price this pen at $500 in the U.S. market, with a release so limited that I’ve heard only 80 - yes, less than 100 - pens made it to the United States. Retailers are holding raffles for the “opportunity” to purchase this pen. In light of Lamy’s decision to flood the market with special editions in the Studio, LX, and Scala lines, it’s absurd that the Lamy 2000 received such a limited release. Sure, I understand the business strategy of selling a smaller number of higher-priced luxury items, but I’d venture that Lamy could have sold thousands of these pens at $300, or even $350. Hype and artificial scarcity during an initial release can drive demand, but with Lamy, if there are not going to be any more of these pens made, what are customers going to come back to buy? Another standard black Lamy 2000? I’m no design historian, but to me, their strategy also seems inconsistent with Bauhaus principles - make well-designed, functional objects made to be used, not sit on a shelf as overpriced collectors’ items.

At the end of the day, I still bought a blue Lamy 2000 at the more reasonable European pricing, and fully intend to ink this pen up and use it just like the old standby that I used to draft this post. I will write in the notebook and throw the box away. The Lamy 2000 remains my favorite pen ever, and I couldn’t bring myself to pass up the opportunity to get the blue one if I found a pen available. Fortunately, Sakura Fountain Pen Gallery in Belgium came through, but I don’t know whether anyone else still has the pens in stock. You’ll have to look hard.

Takeaways and Final Thoughts

Taken individually, I can say that I like most of the pens Lamy has released in 2019. Taken collectively, they don’t offer much insight into where Lamy is going as a brand or the company’s overall strategy due to the marked lack of consistency or any common theme. The decision to flood the market with inexpensive special editions in the Safari, AL-Star, and Studio models, and to release special edition Scalas while severely restricting their Bauhaus 100th Anniversary Lamy 2000, is incomprehensible to me and already has alienated Lamy’s customer base.

As I alluded to above, it’s great to see bursts of creativity from what, traditionally, has been a somewhat staid German company, but someone needs to start making difficult decisions on their lower-end and mid-range releases, while at the same time catering to and engaging more with the enthusiasts who are basically lining up to give Lamy money for higher-end goods. If customers can’t actually get these pens, they will spend that money elsewhere, and eventually give up and stop coming back.

Disclaimer: This post contains affiliate links. I purchased the Lamy 2000 “blue Bauhaus” with my own funds, for my own collection, but acquired the other pens pictured here from Pen Chalet and Appelboom using store credit generated through their affiliate programs.

Water and White Lightning: Fixing High Maintenance Inks

September 18, 2019

For years I avoided certain ink brands, namely Noodlers and Private Reserve, not because I actually believed those inks would destroy or “melt” pens, but because of batch inconsistency and the fact that many of the inks bled and feathered on all but the thickest coated paper. Others never dried, remaining tacky and subject to smearing for up to a week or more. I would get frustrated and give up, selling or giving away the bottles I had accumulated.

With nearly a decade in this hobby under my belt, I’m slightly more patient than I used to be, and writing this blog has provided me with the opportunity for experimentation. Noodlers makes a wide range of vibrant and unique colors, and most of the inks are so saturated with dye that you can add a couple drops of water or ink additive to improve the ink’s behavior without changing the color significantly or sacrificing vibrancy. The only caveat is that by diluting the ink, you run the risk of compromising special properties such as “bulletproofing” (permanence/water resistance) or quick-drying. I generally don’t purchase inks for these reasons, however, other than a couple water-resistant inks I keep in my collection, and I’ve found that most aren’t significantly affected by a drop of dilution.

Noodler’s Walnut has always been a favorite of mine, but I’ve had trouble with feathering and slow dry times if I use the ink undiluted. How did I fix it? Read on below.

So How Do I “Fix” Problematic Noodlers Inks?

I’ve found that certain Noodlers Inks that are prone to feathering, bleeding, and extremely slow dry times work better with 1-5 drops of water added to a 5ml sample vial. Inks such as Air Corps Blue Black and Walnut are great colors, but sometimes bleed, feather, and smear on cheaper paper, or take a long time to dry on fountain-pen friendly paper like Clairefontaine, Rhodia, or Tomoe River.

Writing Samples of Noodlers Walnut, Air Corps Blue Black, and Shah’s Rose, three colors that behave extremely well with a touch of water (Walnut, Air Corps) or a tiny drop of White Lightning (Shah’s Rose).

On the other hand, for inks that are too dry, I take the same amount of ink (5ml in a sample vial) and add a tiny drop of Vanness Pens “White Lightning” ink additive. You might remember a version of this product when it was sold by Organics Studio, under the moniker “Cuddles Flo Plus”, but Vanness acquired the formula after Organics Studio discontinued it and are now bottling the product directly. White Lightning is intended “for use in poor flowing or dry inks to increase flow consistency,” and the product really does work. I can’t emphasize enough, though, that you should use this product sparingly, and do not add directly to the bottle unless you are extremely sure of the amount. Use too much and you can turn a dry ink into the inverse: an ink that feathers, bleeds, and never dries. I’ve had success using White Lightning to improve the flow of drier Noodlers Inks such as basic Noodler’s Black, 54th Massachusetts, and Shah’s Rose. I’ve also spoken with other people who swear that White Lightning improves extremely dry inks such as certain Kyoto TAG inks, as well as Platinum’s “Classic” series of Iron Gall inks.

One of the great things about Noodlers is that the bottles come filled to the brim. (Just be careful opening them for the first time.) I’ve actually heard some people describe the full bottle, the super-saturation, and the need to dilute certain col… — One of the great things about Noodlers is that the bottles come filled to the brim. (Just be careful opening them for the first time.) I’ve actually heard some people describe the full bottle, the super-saturation, and the need to dilute certain colors as a “bonus,” because it makes the bottle last a very long time.

Takeaways and Where to Buy

Noodlers Ink is widely available from most pen retailers, and the bottles pictured here were supplied by site sponsor Pen Chalet. What I’ve discovered over the years is that Noodlers makes “tinkerer’s inks.” If you don’t mind playing around with the formulation, you can better enjoy the wide range of colors and properties that the brand has to offer. White Lightning Ink Additive can be purchased from our sponsor Vanness Pens, and is a product exclusive to them. This unique product really does work, and if you have a large ink collection that includes colors you love but can’t use due to how the inks themselves behave, consider experimenting with water dilution or additives to tailor the inks to your preference.

Disclaimer: The inks and ink additive were provided to me free of charge by my sponsors, for review purposes. Many thanks to Pen Chalet and Vanness Pens for making this review possible!

A Vintage Gateway? Wing Sung 601 "Vacumatic" Filler

September 15, 2019

Longtime readers of this blog know that despite my primary focus on the “high-end” segment of the fine-writing industry, I have a soft-spot for bargains, especially if I find a sub-$20 pen that outperforms pens costing 3-5 times as much. Over the past year, brands such as Moonman and PenBBS have moved to the top of my list quality-wise, but it’s hard to dismiss Wing Sung. But before you write the Wing Sung 601 off as yet another cheap Chinese Parker 51 clone like those that used to sell on eBay at $5 for a pack of 6, let me assure you that all of the recent Wing Sung Pens I have tested, including not just the 601 but also the 618 piston filler, have performed exceptionally well.

The last Wing Sung pens I reviewed were the Wing Sung 618 and the 698, both piston fillers that have proven to be quite durable, despite their all-plastic construction and low price point. I still use them regularly, and my two 618 pens in particular are regularly inked. Enter the Wing Sung 601, which is a bit of a throwback to the late 2000s when Chinese pen companies flooded eBay with extremely inexpensive Parker 51 clones (more on that below), only this pen is of much better quality and uses a pump-filling “vacumatic” filling system.

Yes, you heard that right! You can now purchase a vintage-style “vacumatic” fountain pen for less than $20. And it’s far from a terrible pen. The Wing Sung 601 uses the same stainless steel hooded nib that you find on the 618. Because vacumatic/pump-filler fountain pens use the pen’s barrel as an ink reservoir (like an eyedropper), I actually find that the 601 writes a smoother, wetter line than the 618, even if the nib is still technically a fine/extra fine in width.

The downsides to vacumatic-style fountain pens are (1) they’re a pain to clean, and (2) the rubber sac/diaphragm attached to the pump will eventually wear out, probably every 2 years or so depending on how frequently you use the pen and your choice of inks. With my vacumatics (either true vintage pens or vintage-inspired modern pens), I choose one or two inks - typically a black, blue, or blue-black - to use in the pen, and stick with those colors so that I don’t have to worry about cleaning the pen to a pristine state. With respect to repairs, many people will likely choose to use a $20 pen until it breaks and then toss it in the garbage. However, I think that the Wing Sung 601 presents a low-risk opportunity to learn vacumatic repair/sac-replacement, and some eBay sellers are even offering replacement filling mechanisms.

A note on Chinese companies’ fixation with the Parker 51: Hero and Wing Sung have been producing pens “inspired by” the Parker 51 since at least the 1960s, with varying degrees of quality. It doesn’t take a vintage expert to recognize that these are NOT real Parker 51 pens, in that they don’t say “Parker” anywhere on them, though they do sport an “arrow clip.” I won’t engage in an extended discussion of the history between Parker and Hero/Wing Sung, because that’s been done elsewhere, but the conventionally accepted story is that the Chinese government nationalized a Parker factory in Shanghai at some point in the mid-20th century, and Hero (which I believe owned/owns Wing Sung) has been churning out Parker 51 clones ever since. You can read more about the current status of the Wing Sung brand, and a bit more history, at Frank’s comprehensive Chinese Fountain Pen blog, Frank Underwater.

Takeaways and Where to Buy

While a $15-20 Wing Sung pen is never going to replace an authentic vintage Parker 51 in either beauty or quality, the 601 is an inexpensive, low-risk introduction to this style of pen, particularly the vacumatic-style filling system. If you are on the fence as to whether or not you want to spend $100+ on a properly restored Parker 51, give one of these Wing Sung pens a try to see if you enjoy the shape and style. It’s a close-enough approximation, and even if you decide you don’t want to take the plunge, you have a competent everyday writer that didn’t cost a lot of money.

Wing Sung pens, including the Wing Sung 601 pens pictured here, are widely available on either eBay or Amazon. On eBay, I’ve purchased pens from Seller art-pen-book-dy, and also from Amazon, where pens are generally come with free Prime Shipping. One other thing to note is that some eBay sellers are offering replacement filling systems for as little as $2.99. This is doubly interesting to me because not only is it a cheap and easy fix for a broken Wing Sung 601, but it raises the question of whether this mechanism could be used to fix a broken Parker 51 Vacumatic, since original mechanisms are no longer in production.

Disclaimer: This post contains affiliate links. I purchased the pens featured in this review with my own funds, for my own use.

New Notebook Alert: Yoseka Stationery

September 11, 2019

My friend Cary Yeager - of both Fountain Pen Day and Kenro fame - introduced me to this notebook at a pen show earlier this year. I can’t remember exactly which one, but I believe it was the Arkansas Pen Show in Little Rock. A few weeks later, this sample notebook showed up in the mail from Yoseka Stationery, and I have to apologize for how long it’s taken me to do a review, especially since this is such an interesting product. Cary explained to me that the owners of Yoseka Stationery had just opened a brick-and-mortar shop in Sunnyside, Queens, and had designed this notebook from scratch after sourcing the paper from Taiwan.

You can read the full description here on the Yoseka website, but in short this notebook contains 85gsm “KBU2” paper from Conifer, a Taiwanese company that has been around since 1955 and apparently experiments quite a bit with different paper properties. Yoseka chose this particular paper because “it encourages a quick dry and it perfectly reflects the sheen of the pen ink with minimal bleeding.” Since the paper is fairly absorbent, it does dry quickly, with no smearing once the ink is dry - something those who love “sheeny” inks will appreciate since many of those tend to smear even days later.

I had minor issues with bleed-through in the Yoseka notebook, but I’m beginning to suspect that the primary culprit is one particular ink (Lamy Crystal Peridot), which has been temperamental on several different papers. I experienced serious bleed-t… — I had minor issues with bleed-through in the Yoseka notebook, but I’m beginning to suspect that the primary culprit is one particular ink (Lamy Crystal Peridot), which has been temperamental on several different papers. I experienced serious bleed-through with that ink on a Rhodia pad.

The design of the notebook itself merits some discussion. Yoseka uses a plain “cement grey cardboard hardcover”, which reminds me of the thick chipboard covers used on the Doane Paper notebooks, as well as a “naked binding” that shows off the stitching and gluing. Yoseka describes the cover and binding as “durable,” but that characterization will, of course, depend on how hard you use your notebooks. Fans of minimal design will like the look, and the binding allows the notebook to lay completely flat.

Takeaways and Where to Buy

Yoseka Stationery makes a nice notebook featuring a simple design and durable construction. This notebook also contains a lot of paper, which should handle most fountain pen inks relatively well and show off any inks that sheen. I’d offer a note of caution for those who anticipate writing on both sides of the page with very wet nibs and inks, as you might experience a touch of “pinpoint” bleedthrough (pictured above). Otherwise, this notebook should meet most people’s needs, and generally has been well-received by fountain pen users.

You can purchase the Yoseka Notebook directly from Yoseka Stationery in Queens, New York, either via their online store or in person at their brick-and-mortar location in Sunnyside. It’s reasonably priced at $20, and I definitely plan to make a visit when I’m in New York City next month (along with visits to my other favorite NYC stationery shops)!

Disclaimer: The notebook featured in this review was sent to me free of charge by Yoseka Stationery. Many thanks to them for making this review possible!

Pen Review: Karas Kustoms Vertex Fountain Pen

September 7, 2019

While I wasn’t one of the lucky ones able to snag an original Vertex prototype when Karas teased the pens late last year, I admired them from afar and have been waiting for their wider release. Earlier this summer Paul from Karas Kustoms contacted me and asked whether I would be interested in reviewing the finished product. I received for review a Vertex in limited run “Galeocerdo” acrylic, which I would describe as a multi-toned metallic silver material that I hope makes its way into regular production at some point. As for the pen itself, overall I’m impressed with what Karas has done, but the Vertex still has some issues that give me reservations about issuing an unqualified recommendation. Read on to learn more.

As always, Karas Kustoms gets creative on their packaging. My Vertex shipped in this machined aluminum box, with a foam insert to protect the pen.

Vintage-Inspired Design and Maximum Writing Comfort

Let’s start with what I really enjoy about the Vertex: the look of this pen and how comfortable it is to use for long periods of time. Karas has carried over the vintage design aesthetic from its previous “Signature” release, the Decograph, into a shorter, chunkier pen that I prefer. (While I enjoyed testing the Decograph, over time I found the pen slightly too long posted.) The long, concave section on the Vertex is outstanding, and in addition to comfort you can modify the look of your pen by swapping in a section made from a different color acrylic. Karas sells replacement sections separately, so you can purchase more than one.

The metallic shimmer on the Galeocerdo acrylic makes me want to see more of this material. Hopefully the initial run was not a one-off.

As an acrylic pen that uses a cartridge-converter/eyedropper filling system (more on that below), the Vertex weighs next to nothing. For me, the pen has the best balance when posted, and I happily used this pen for three full days of work drafting and annotating documents longhand. The cap posts securely, and the lack of threads on the long section makes the Vertex a great choice for those who, like me, tend to adjust their grip higher or lower as I write, and don’t always hold the pen the same way. While the section is smooth, it has enough texture to provide a good grip, and I had no issues with slippage even after long writing sessions.

Here, you can see (1) the transparent acrylic section, which is slightly concave; (2) the ink window; and (3) the o-ring embedded in the section to prevent leaking through the front of the pen.

One interesting design choice that I ended up enjoying was the decision to make the top of the cap concave.

Optimized for Eyedroppering

Karas designed the Vertex as an “eyedropper” fountain pen, meaning that the pen’s barrel can be used as an ink reservoir without resorting to a cartridge or converter. That’s both a blessing and a curse. On the plus side, used as an eyedropper, the Vertex holds a massive amount of ink so you can avoid refilling frequently. Aesthetically, filling the barrel with ink also allows the transparent section to function as an ink window, a conscious design choice and my clear preference since a visible cartridge or converter would, in my opinion, destroy the beauty of the pen. The Vertex incorporates custom fit o-rings into the barrel and section so that the pen ships “eyedropper-ready,” with no need to add silicone grease to seal the threads. The cap also features an o-ring, which creates a seal that not only keeps the cap closed or posted securely, but should prevent ink from leaking out in the event there is a spill in the cap. Which brings me to….

The downside of this design. The main flaw in the Vertex is that the o-ring on the interior of the cap can create pressure that draws ink out of the nib and feed when you uncap the pen. To avoid any issues, Karas recommends that you uncap the pen with the nib pointed up. I would add that you should try to uncap the pen as slowly as possible, and to avoid using the cap as a fidget toy, which I confess to sometimes doing with my slip-cap pens. But even exercising as much care as I possibly could, I still ended up with ink on the section, in the cap, and on my hands on multiple occasions, with the problem getting worse after I had transported the pen in my bag to and from the office, where changes in air temperature likely increased the tendency to burp ink. I will note this temperature issue is a problem inherent in most eyedropper fountain pens, unless they incorporate a valve or seal like those found in high-end Danitrios or on the Opus 88 line. I would not recommend using the Vertex as a “pocket” eyedropper, or in a desktop pen-holder such as the Good Made Better Penwell where the pen would stored with the nib facing down.

Karas Kustoms went above and beyond on the nib engraving. I love the new logo.

Quality Control on Bock Nibs Remains a Head-Scratcher

Karas Kustoms uses Bock nibs on the Vertex. There’s nothing wrong with Bock nibs per se. If you get a good one, they can be exceptionally nice writers. The nibs on my Conway Stewart Model 100 and both of my Faggionato pens are great examples of how a properly tuned Bock nib can equal most any other writing experience. On the other hand, however, Bock nibs are somewhat notorious for their inconsistency, and I guess I was due to take a hit after I’d had a long run of good draws. The first nib on my Vertex didn’t write at all, whether the pen was eyedroppered or whether I used the included converter. Paul quickly sent me another one - Karas customer service is excellent - and the second nib had a tendency to hard-start with a converter but wrote perfectly well when eyedroppered. The issues with the Bock nibs don’t move me one way or another on this specific pen: While I probably prefer Schmidt or JoWo, many pen brands source their nibs from Bock and unfortunately sometimes you just have to work with your retailer until you find one that’s satisfactory. A good thing about Bock nibs is that they’re easily interchangeable.

From left, for size/shape comparison purposes: the Lamy 2000 fountain pen, the Karas Kustoms Vertex, and the Franklin-Christoph Model 20.

Takeaways and Where to Buy

I’m all-in on the direction in which Karas is moving with their pen design. I’ve thoroughly enjoyed testing out their last two “Signature” releases, the Vertex and the Decograph, and I would probably give the edge to the Vertex in terms of aesthetic design due to how comfortable this pen is in the hand and how well it posts. In their Signature line, Karas seeks to evoke the shape of classic Parker and Sheaffer pens, and the Vertex definitely has the feel of a Sheaffer Legacy or PFM.

That said, the tendency for the Vertex to burp ink gives me pause as to whether I could use the pen as a true daily writer, which I really want to do because it’s such a comfortable pen for long sessions. I’m not sure whether anything can actually be done to mitigate the issue - it’s an eyedropper fountain pen after all, and the design of the Vertex doesn’t lend itself to easily incorporating a seal or valve. For the time being, I’m going to continue to use the Vertex and see whether the issue resolves itself as I get a better feel for how to cap/uncap the pen without causing an “inksplosion.”

The Vertex featured in this review is the limited run “Galeocerdo” acrylic version, which is not currently available for sale on the Karas website. Production line versions of the Vertex are available in black and dark green acrylic, as well as black and white Delrin. As noted above, you can purchase different color clear acrylic sections to customize your pen, and choose from steel, titanium, and 14k gold Bock nibs. The Vertex starts at a more than reasonable $130 for a pen with a steel nib, with the price increasing if you opt for titanium or gold. (The $80 upcharge for a gold nib still allows the Vertex to remain a reasonably priced pen.)

Disclaimer: I received the pen featured in this review from Karas Kustoms, free of charge for review purposes. Many thanks to Paul and the team at Karas Kustoms for making this review possible.